Fired Up! 2022

Fired Up! 2022, Shape of Wild. 

May 28th & 29th, 2022 from 10 am – 5 pm.

​At long last we are back to share our work with you all once again. It’s been a much longer break between shows than any of us expected but who knew that Covid would go on and on?  What a joyous moment it will be when we swing open the doors to our 36th show created to the theme, Shape of Wild, and invite you in to see our latest creations.

http://www.artopenings.ca/fired-up-2022.html

Features

Exhibition booths: 10 core members of Fired Up! plus 1 guest artist.

Samantha Dickie, Sandra Dolph, Mary Fox, Gordon Hutchens, , Cathi Jefferson, Meira Mathison, Kinichi Shigeno, Sandy Harquail, Vin Arora and Pat Webber. and guest artist Charmain Nimmo.

Our annual show is a much-anticipated tradition eagerly awaited for by Ceramic enthusiasts and collectors. It is held on the last weekend of May, yearly, at Metchosin Hall, on the outskirts of Victoria.

Metchosin Community Hall
4401 William Head Rd
Metchosin, BC V9C 3Y6
Phone: 250-590-5744

Samantha Dickie working in her studio in Victoria.Over the past 37 years, there have been a total of 23 members of the Fired Up! group. The current core group consists of people who continue to produce and exhibit exciting and innovative work.

Our Core Members

Charmian Nimmo

Charmian Nimmo

A self taught potter, inspired by a deep love of animals and nature, I’ve been making functional work for many years and have recently ventured into sculpture. I work as part of the Kingsmill Pottery on Granville Island and maintain my own home studio in Vancouver as well.

Sandy Harquail

​​Throughout my life I have been fascinated by the design process. My experiences as a child making tree forts, dress-up costumes and mud pies, in many ways influences how I pursue ceramics today. I use clay like a seamstress uses fabric, cutting patterns with curves and darts to change the shape and form. I envision my pots as pieces of architecture, always striving to create stable structures out of the pliable material all the while finding a balance in function and form. Each time as the clay is transformed from lifeless slabs to volumetric forms there is an excitement, a breath, an inhalation that I find nowhere else. 

​I began my exploration of ceramics in high school in small town St. Clair, Michigan in an independent study program. Through this program I discovered a love of clay that led me to pursue the arts at Eastern Michigan University. Looking back at my youth I see the influences of creative people all around me. My father, a finish carpenter, is a precision craftsman. My grandmother created slip cast porcelain wares and dolls. My Mother was always pursuing one craft project after the other. It was inevitable that I would become a maker of some kind.

http://www.sandyharquail.com/

Vin Arora

Vin Arora

Vin Arora
Vin Arora

A closer look at Vin’s artwork will reveal that it contains the spirit of an urban environ yet is fused with a profound respect for nature and the logic and mystery in materials. Any single work could reflect various energies like that of a folk festival, a hip-hop show, drag pageant, cartoon realities, dreamscapes, a political rally, or a silent retreat. His work derives colour, shape and texture from walks in the downtown east side as much as it does from contemplative hikes into the forest with his dog.

Vin Arora is a Vancouver based artist working and teaching in ceramics, exploring material as means of social cohesion and community building as well as a means of inward reflection. Vin attended the Emily Carr Institute of Art and Design (Now ECU) starting in ’96 and has worked in clay in Vancouver ever since. Vin has worked with many great teachers, artists and potters in Vancouver and also takes influence from travels in India and Britain.

Techtonic Plate Series-Stoneware-2″x 11″x9″-2017

www.techtonicplates.net

Vin Arora  vinarora6@gmail.com

 

 

 

 

British Columbia Ceramics